![]() ![]() The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. ![]() It works only in coordination with the primary cookie. ![]() It has high energy and is not very danceable with a time signature of 4 beats per bar. ![]() The track runs 4 minutes and 2 seconds long with a A key and a major mode. It can also be used half-time at 52 BPM or double-time at 208 BPM. Records the default button state of the corresponding category & the status of CCPA. Take Me Out is a song by Franz Ferdinand with a tempo of 104 BPM. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". Set by the GDPR Cookie Consent plugin, this cookie is used to record the user consent for the cookies in the "Advertisement" category. These cookies ensure basic functionalities and security features of the website, anonymously. In the bridge section, Bob abandons crotchet root notes in favour of a melodic sub hook that outlines the A Dorian mode – notice how the 2-bar pattern alternates between descending and ascending lines to create interest.Necessary cookies are absolutely essential for the website to function properly. Bach being the undisputed heavyweight champion of weaving multiple melodic lines in contrary motion (those who are curious about counterpoint should read ‘ Evening In The Palace Of Reason’ by James Gaines or – if you’re feeling brave – Douglas Hofstadder’s brain-melting ‘ Godel, Escher, Bach: An Eternal Golden Braid’ for more on the subject).Īs the intro comes to an end, the tempo slows as the band signposts the main event of ‘Take Me Out’ – the repeated guitar melody that is underpinned by solid crotchets from the bass, locking with the four-to-the-floor drumbeat. This notion of having two (or more) melodies which simultaneously move in different directions was the staple of the Baroque era, with J.S. Bassist Bob Hardy shows that he isn’t afraid of utilizing the ‘dusty end’ of the fretboard, frequently playing in the same register as the guitars. The bass and guitar both have independent parts that move in different directions, creating a series of different harmonic intervals as the intro progresses. The song’s intro actually shows an interesting musical device that seldom appears in commercial rock and pop songs – counterpoint. The lead single from the album and perhaps the band’s best-known track, ‘Take Me Out’ was Franz Ferdinand’s international breakthrough hit, combining punchy guitar hooks and a shout-along chorus with influences taken from dance music. (If any readers can think of a genuinely excellent band name then PLEASE email and I will arrange a suitable prize).Īnyway, enough of my personal grievances back in 2004 Scottish indie darlings Franz Ferdinand were achieving chart success and critical acclaim thanks to their debut album (imaginatively titled Franz Ferdinand), which won them the Mercury Music Prize, a Brit Award, a Grammy nomination and has shifted almost 4 million copies to date. The band behind ‘Take Me Out’, Franz Ferdinand, are no exception, but there’s something about naming a band after the Austrian duke whose assassination triggered the outbreak of World War 1 that’s particularly awful. U2, Coldplay, Radiohead, The Beatles, Pink Floyd – regardless of how great they may be musically and commercially the reality remains that they all are garbage. Here’s a thought to consider: all band names are terrible. ![]()
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